By Evan Spring,George Bassett,Edward Berger,Henry Martin,Dan Morgenstern
John Howland strains the relationship among Duke Ellington's prolonged works and the "symphonic jazz" version of the Twenties as exemplified through Paul Whiteman and his leader arranger, Ferde Grofé. Horace J. Maxile Jr. takes an unfashionably huge point of view of Charles Mingus's "Ecclusiastics," using fresh advancements in cultural idea in addition to the formal instruments of conventional tune concept. Brian Priestley's exploration of the binds among Charlie Parker and renowned tune demanding situations the canonical depiction of Parker as a lone innovative genius, as a substitute underscoring the saxophonist's ties to the preferred song of his time. eventually, John Wriggle offers an intensive exam of the existence and paintings of arranger Chappie Willet, an unsung hero of the Swing period. The e-book studies disguise a cross-section of the burgeoning jazz literature, and Vincent Pelote has back compiled an inventory of books got on the Institute of Jazz Studies.
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Additional resources for Annual Review of Jazz Studies 14
Annual Review of Jazz Studies 14 by Evan Spring,George Bassett,Edward Berger,Henry Martin,Dan Morgenstern